If your decisions are accurate and effective (or sometimes just helpful to the Department’s goals), you will be promoted. Higher ranks mean higher-stakes assignments with higher-profile suspects, access to more invasive surveillance, and greater authority.
The Department doesn’t discriminate in its abuse of privacy, so you’ll encounter people from all economic backgrounds, locations, ages, and cultures. Not every profile is immediately accessible though, and you need to advance further to snoop into the lives of the wealthy, powerful, and truly despicable.
Here you can find the backer polls for Need to Know, where our Kickstarter backers can vote on questions about the game. Voting is open to backers at Clearance Level 9 and above, and your unique code needs to be entered for your vote to go through. These codes can be found on your Humble product page - a link to this was sent to your email address if you're an eligible backer.
Backer Poll 6: What did you most enjoy about the alpha?
Backer Poll 7: Which elements of the alpha release most need improvement?
Backer Poll 5: Which parts of Need to Know interest you the most?
Backer Poll 4: What kinds of off-duty ‘mission’ are you most interesting in playing?
Backer Poll 3: Which forms of evidence interest you the most?
Backer Poll 2: Which types of mission are you most interested in playing?
Once again, we had some great responses from backers who selected ‘Other’ in Backer Poll 2. Some ideas were ”Seemingly unimportant missions (ie tutorial) that come back later”, ”bonus missions with previously gotten intelligence” and ”Lots of poking around in ('innocent') peoples business”. There were also at least 4 comments about severely limiting timed missions, and we're definitely taking note.
Backer Poll 1: Which types of suspects/profiles do you most want to see in the game?
In Poll 1, the ‘Other’ option provided us with some great ideas, and too many to list them all here! Suggestions included “International government agencies (i.e. competitors to DoL)”, “Just regular people with some veeery shady secrets?”, “Foreign nationals/spies”, and the ever-popular choice: “Everyone”. Thanks for your responses - we'll have them in mind as we continue writing!
Need to Know is a surveillance thriller sim that tests your ability and integrity within the shadowy, cutthroat world of a modern intelligence agency - the Department of Liberty.
You must spy on citizens, pick apart their private lives, and determine their threat level. You can also resist these suffocating privacy invasions by aiding underground groups and leaking internal reports to the media. Or, you can just use all of that juicy classified information for your own gain. Your call.
Need to Know emphasises story, and will sculpt the crushing growth of our real-world surveillance society into a meaningful, gripping journey. It critiques the system by passing the uncomfortable (or too comfortable?) mantle of power onto your shoulders, to test which choices you’ll make. You’ll laugh, you’ll cry, you’ll sweat bullets under the searing blaze of an interrogation lamp.
Quincy is the technical director for Need to Know, and so he is handling the majority of programming and technical design for the game. A long-time fan of story-driven games like Final Fantasy, Uncharted and To the Moon, Quincy will also step in to assist with other aspects like writing and design.
Quincy is a final-year University student, majoring in Computer Science, who is interested in areas such as machine learning, artificial intelligence, and, of course, game design and development. If Need to Know is successfully funded, he will postpone his studies so he can devote as much time as possible to developing the game.
As Need to Know’s creative director, Tristram will ultimately decide the fate of all who dwell within it. The hero, idealistic but ethically tenuous. The dangerous, charismatic mentor. A frightened world allowing itself to be bound and gagged by shadows. Tristram controls it all...kind of like a god (or so he thinks).
He is obsessed with narrative in all its forms, and loves how games sculpt our thoughts and emotions like no other medium- from Shadow of the Colossus to KOTOR II to Dear Esther. He will infuse a huge range of influences- from games, films, and literature- into a story that only Need to Know can tell.
Tristram has experience as a writer, director, editor, and creative director with his production company, Torchborne Screens, but will also assist with programming and design.
Lead Artist •March 2016 - Present
As a designer and artist, Alison is excited to help enrich the scope and style of Need to Know. Majoring in digital art and sculpture, she graduated with a Bachelor of Fine Arts in 2014. Since then, Alison has brought her unique skill set to freelance work in film, merchandise, visual art, and corporate design.
Inspired by the work of Peter Daverington, Simon Stålenhag, and Stanley Chow, she hopes to provide a fusion of visual storytelling, tech marketing, empathetic character art, modern design principles, and attention to detail.
Keyed up, Alison enters the world of Need to Know.
Composer and Sound Designer •February 2016 - Present
Byron is a young composer who has done a lot of freelance work with composition and sound design on both games and some film before coming to Need to Know. Byron also is a music tutor for Trumpet (on which he is also a session musician), on drums and music theory. Inspired by ethnic music from all cultures and composers such as Ennio Morricone and Motoi Sakuraba, he is determined to bring a unique flair and immersive soundscape to Need to Know.
Monomyth Games is an indie game company, started in 2015. As long-time consumers, we are finally delving into the hallowed alchemy that is game production.
Visual and world design are crucial elements, and gameplay binds the entire concoction together, but more than anything, we see gaming as the most exciting, uncharted storytelling platform around today - maybe ever.
Our goal is to explore gaming as a cathartic, emotionally-draining, nerve-wracking, bone-rattling, inspirational narrative medium. In short, we want to make The Godfather or The Truman Show of video games - even if it takes us some time to perfect the recipe.
If you have any questions, comments or suggestions please get in touch with us. You can contact us by email, using the contact form below, or by social media including Twitter and Facebook.
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